Latin American Masters

Fernando Botero

Mujer Sentada

Ink on paper
17.32 x 13.98 in.
1982
Certified; issued by the previous owner to the current owner.
Signature on the lower-right corner.
Catalogued on Christie’s, May 17, 1995, pg. 16, #218.
Provenance: Christie’s – currently at a private collection, Colombia.

Fernando Botero

At the age of twelve Fernando Botero, son of a Colombian travelling salesman, received training as a matador alongside his usual school education. Botero's first major subject in his early paintings was the ring. In 1948 the artist had his first exhibition with other painters from his home province of Antioquía in Medellín. In 1951 Botero moved to Bogotá, where he met the Colombian Avant-garde surrounding the Café 'Automática'. His first solo exhibition at the Leo Matiz gallery followed after only five months. After his studies at the 'Academia San Fernando' and the 'Prado' museum in Madrid, the artist went to Italy, where he studied art history from 1953. For a long time he studied the technique of fresco painting and copied works of Giotto and Anrea del Castagno. Two years later Botero returned to Bogotá. An exhibition of the artist's works form Italy flopped.

In 1956 he married Gloria Zea and moved to Mexico with her, where he found his own style under the influence of the Mexican mural painting of Diego Rivera. The artist was appointed professor for painting at the Bogotá art academy and gradually became the most important young artist in Colombia. In 1960 Botero moved to New York and won the Guggenheim National Prize for Colombia. In the same year he split up with his wife. In 1965 Botero's fully developed plastic style of painting first became visible in his painting 'The Pinzón Family'. In 1966 the painter traveled to his first important European exhibition at the 'Staatliche Kunsthalle Baden-Baden', followed by his first exhibition at a US museum at the Milwaukee Art Center in December, which lead to his breakthrough in the US. Botero spent the following years in Colombia, New York and Europe.

Since the birth of his son, Pedro, from his second marriage in 1970, the artist captured all phases of his son's life in his art. After the four-year-old died in a car accident, Botero often returned to the motif. In 1973 Botero moved to Paris, where he produced his first sculptures. He only worked on sculptures for some time until he returned to painting in 1978. In 1983 Fernando Botero moved to Tuscany, where he only painted bullfighting scenes for two years. These were shown at the Malborough Gallery in New York in 1985. Today Botero's works are still exhibited in numerous international museums and exhibitions. Fernando Botero lives and works in New York and Paris.

Recent Exhibitions:

"Fernando Botero" (September 2009) Korea, Seoul, Bandi Gallery.
"Fernando Botero: Works On Paper, Paintings, and Sculptures" (February 11 - March 28, 2010), David Benrimon Fine Art, New York, NY.
"The Baroque World of Fernando Botero" (May 1 - July 25, 2010), Nevada Museum of Art, Reno, Nevada.
"Botero" (4 May - 18 July 2010), Pera Museum, Istanbul.
"The Baroque World of Fernando Botero" (August 21 - November 14, 2010), Glenbow Museum, Calgary.
"The Baroque World of Fernando Botero" (December 10, 2010 - February 27, 2011), Winnipeg Art Gallery, Winnipeg.
"Botero" (October 2011 - January 2012), Kunstforum, Vienna.
"Fernando Botero" (July 2015 - October 2015), Seoul Arts Center, Seoul.
"Botero in China" (November 2015 - January 2016), The National Museum of China, Beijing.
"Botero in China" (January 2016 - April 2016), China Art Museum, Shanghai.
"Botero: Celebrate Life!" (July 2016 – September 2016), Kunsthal Rotterdam, Netherlands.

Selected Artworks:

"El Atelier de Sánchez Cotán", oil on canvas, Bogotá.
"Cámera Degli Sposi I" or "Homenaje a Mantegna I" (1958 version), oil on canvas.
"Contrapunto", oil on canvas. Museo Nacional de Colombia collection, Bogotá.
"En Rojo y Azul" or "Mandolina" (1957), oil on canvas. Banco de la República art collection, Bogotá.
"La Apoteosis de Ramón Hoyos", oil on canvas. Fernando Botero’s private collection.
"Los Obispos Muertos" (1958), oil on canvas. Museo Nacional de Colombia collection, Bogotá.

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